EDIT: 9 hours later and a bit of brainstorming with 2 different people and some progress has been made. I've posted all the changes below. If you missed the first draft that's probably just as well.
Ghost Tours outline (2)
Introduction
of Esther and Sarah
Intercutting
between Esther very meticulously adjusting her dress, putting on her hat,
gathering her things to present herself as a late 17th Century woman. She is
looking in the mirror, assessing herself, making sure everything is just so. At
the same time Sarah is at the Ghost Tours booth trying to draw a crowd. Anyone
who joins her will learn the history of the town from the town’s true
residents. Sarah gathers up a group and leads them to Stop 1: Esther
Esther
gives her tour speech
Though
a combination of canned speech and answering questions posed by an obnoxious
heckling teenager we learn that Esther died there in 1710, but that she
considers later murders in the house more gruesome and interesting than
her own. She watches the tour continue on next door where Tim is on his own
front step ready to give his speech.
Not
going out after the tours
When
the tours are gone Esther and Tim are both sitting on their front steps
watching the world pass. Sarah returns and invites them both out to meet up
with the others at a local bar. They decline. She complains that they never
come. They continue to decline. She bums a cigarette and a lighter from Tim and
absently pockets the lighter. After she rounds the corner Esther waves to Tim
and then passes through her front door. Tim waves back and simply disappears.
Sarah returns a second later to return the lighter but they are gone.
Sarah
confronts Esther about being a ghost
Sarah
is sure Esther is really a ghost and confronts her. Esther confirms it, Tim too.
She was surprised Sarah had seen her originally as usually she has to want to
be seen. Esther is also surprised Sarah hasn't run screaming since that's
people's usual reaction. Sarah is too fascinated to be scared. She loves a
puzzle and would love to figure out why Esther can’t Move On.
Flashback 1
Esther
and her father are fighting because he wants her to marry someone she doesn’t
even like and could certainly never love.
Sarah’s first idea
Sarah
comes back having done some research, most of which makes Esther and Tim laugh.
Sarah has used an iPad and the internet to do the research, which Esther finds
confusing, while Tim thinks every new toy is fantastic. Unfortunately, there is
no light to go toward, she already knows she’s dead, and Sarah can order Esther
to Move On all she wants, Esther isn’t going anywhere. At the end Esther says
she hasn’t had a reason to laugh since Goody Lee’s cat got into the flour and
left paw prints all over the house.
Sarah’s second idea
Unfinished
business? No. A message for a loved one? There haven’t been loved ones in 300
years. Helping strangers? Esther agrees in theory to try to help a stranger,
but no one in need of help wanders onto her patch of sidewalk. She does at
least convince Tim to stop stealing cigarettes and leaving the teenager in the
house to be blamed for it.
Flashback 2
The
fight gets physical and he ends up choking her to death to shut her up about
wanting to be in love.
Sarah’s third idea
Sage
smudging, incense, and candles with an incantation. Sarah is getting frustrated
that none of her ideas are working and accuses Esther of not trying. Esther,
who is happy for the first time in 300 years says no, she’s not trying. She
never thought it would work anyway, but now that she has Tim she has no desire
to leave him to centuries of lonelinesslike she has endured. Sarah is angry
when she leaves.
Tim’s declaration of love
They
are finally able to get close enough to have a conversationwithout Sarah. Tim
declares his love for Esther and pushes her to respond in kind. Esther doesn’t,
won’t, can’t. She starts by making excuses. He’s too modern. She wouldn’t be a
good wife. Ultimately it comes down to she can’t love him. Burned by the
rejection Tim disappears.
Flashback 3
Father
cuts out her heart, burns it, and then scatters the ashes of it in the pond.
Sarah makes a deal
Sarah
comes back to apologize and also to find out why Tim hasn’t been around lately.
Esther explains why Tim left and why she won’t ever be able to Move On. The
same reason for both, she is incomplete. Sarah thinks that’s nonsense and
agrees to stop pushing the Moving On schemes if Esther will just go tell Tim
that she loves him.
Esther crosses the street
She
starts by divesting herself of anything modern. If she is going to do
this it has to be only as herself. It takes more than a little effort to take
that first step off the sidewalk. By the time she's made it half way Tim is
waiting for her on his side. When they meet he hugs her and they slowly
disappear.
So Tim crosses to her side of the street? And in the end she crosses to his side? Hmmm...and you probably don't need the flashbacks, although they could be interesting.
ReplyDeleteI wasn't thinking Tim ever went off his own sidewalk. The alley between their houses separates them until Esther crosses.
DeleteI'm still of mixed emotions about the flashbacks. They add a layer of complexity when shorts need to be simple. But they also show what happened to her rather than have her tell us what happened.
Good. I think it is better if Tim never leaves his sidewalk.
DeleteI think the flashbacks are useful, as they visually convey some useful info (why she is a ghost). Better than her saying why, as that is talking rather than doing. What about the kind of flashing back where she is tellin it but then becomes visually the past with some present VoiceOver ?
ReplyDeleteFlashback 3 isn't needed unless you need it as a break between other stuff. I think the first 2 flashes are enough to show why she's a ghost and why here (at place of death). I'm confused a little by the Sarah's ideas section. They don't seem fleshed out into scenes, so are you pondering which to use?
ReplyDeleteThey aren't fully fleshed out yet. Also there's more in my head than I put in the outline. Mostly for both Sarah's ideas and the flashbacks I was thinking things should be in threes. You might be right about the last flashback. I was thinking well he cuts out her heart so now she's 'incomplete' but why not just go find her heart and get it back. At one point in the brainstorming it was maybe its a puzzle, maybe she needs to find her heart to move on. And then I thought well, yes but no. Not her physical heart so let's make that impossible to find.
ReplyDelete